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The bands, from the pit to the print.
Concert and festival photography, shot from the pit and the barrier. Graded dirty on purpose. It should look the way the room felt, not the way the lighting desk intended it.
All of this came off a phone in the crowd. No rig, no second take. Stills, and the vertical cuts that went straight to the feed.
Single and album artwork. Photography, collage and VFX in one frame. The test is whether it still reads at 300 pixels on a phone and still holds up printed on a 12-inch sleeve.
Some we directed end to end, from treatment through to the grade. On others we shot, assisted or handled the VFX. The credit under each one says which.
Directed by Gina Harrison
Directed by Gina Harrison
Featuring and assisted by Gina Harrison
Band and artist portraits. Press shots, EP campaigns, and whatever ends up on the poster.
Self-portrait and series work, built in the edit. Paint, retouch, composite, repeat, until the picture says what it is meant to.
Short-form visuals: vertical cuts, visualisers, loops. All of it finished here, plate to grade.
Green screen to final. Roto, keys, set extensions, comp, grade. The part nobody is supposed to notice. Drag the handle on the wide ones to wipe between the plate and the finished frame.
Stands, sandbags, green screen, bad coffee. The long days behind everything above.
Two people, two practices, one studio.
Creative DirectorPhotographerProducerConcept ArtistModelActress
ginaharrisonofficial.com ↗
Based in London · available worldwide
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